Días de Cine: “The Festival persists in looking for its future paths’ footprints”
April 7, 2017Other keys to enjoy Friday in theaters
April 7, 2017The official section presents the last two competing feature films, Harmonium, by Koji Fukada, and Golden Exits, by Alex Ross Perry
April 7, 2017Jesús Palacios proposes a new edition of The Freakiest Night “on the fringes of Horror films”
April 6, 2017Julieta Venegas sold out tickets at the Galdós in one of the musical landmarks of the Film Festival
April 6, 2017Other keys to enjoy Thursday in theaters
April 6, 2017Screening 3 (and last) of the official section’s short films
April 6, 2017The official section presents Still Life, by French director Maud Alpi, and The Woman Who Left, by Lav Diaz
April 6, 2017Félicité, the music of the ‘strong women’ from Kinsasa
April 5, 2017Ivan Eibuszyc: “Auteur cinema has its audience”
April 5, 2017Other keys to enjoy Wednesday in theaters
April 5, 2017Second day for the Official Section’s Short Films
April 5, 2017Congolese actress Véronique Tshanda Beya presents Félicité, by Alain Gomis, a film competing in the Official Section
April 5, 2017Albertina Carri: “Cinema has become an ultraconservative field”
April 4, 2017Other keys to enjoy Tuesday in theaters
April 4, 2017The screening of the official section’s short films begins
April 4, 2017Albertina Carri presents in the official section Rustlers, its director’s new incursion in the Argentinian reality between documentary and fiction
April 4, 2017The film The Vanished Dream, by Juan S. Betancor, wins the Richard Leacock Award for Best Feature Film in the 17th International Film Festival
April 3, 2017Knife in the Clear Water, a tale of humanity in an inhospitable place in China
April 3, 2017The Spanish project Mi espía íntimo, by Ana Schulz and Cristóbal Fernández, wins the MECAS award for post-production and international distribution
April 3, 2017Hong Sang-soo “returns” to the Festival with Yourself and Yours, included in Panorama
April 3, 2017The keys of the day to Panorama Spain, that “other” Spanish cinema
April 3, 2017Director Wang Xuebo presents Knife in the Clear Water to competition, a tale about pain within a Muslim community in China
April 3, 2017Bitter Money shows a “miserable” reality Chinese authorities dislike
April 2, 2017Iosseliani: “99% of current films has nothing to do with cinema”
April 2, 2017Other keys to enjoy Sunday in the screening rooms
April 2, 2017La forma del mundo and Fogueo, two Canarias Cinema proposals that deal with dreams
April 1, 2017Panorama Spain: The rise of films made on the fringes
April 1, 2017Canarias Cinema screens twelve short films selected amongst 160 submitted works
April 1, 2017Compartir